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Ground Control Touring

About Us

Ground Control Touring is a boutique booking agency founded in the year 2000 by Eric Dimenstein and Jim Romeo. We currently offer exclusive North American tour booking from offices in Brooklyn, NY and Carrboro, NC. We also represent many of our clients in international territories including Asia, Australia, and South America.

We are a highly selective company that takes pride in providing our clients with every opportunity that other agencies can provide but with a level of focus and attention that is unique to a company of our size. Unlike some agencies, we do not split the country into territories; instead each agent works exclusively with his or her clients and their representatives to foster long lasting and healthy relationships with promoters around the world while facilitating responsible agreements for all varieties of live shows. Our company works closely with other agencies of all sizes, and we know we can go above and beyond for our clients in seeking out the best opportunities for them. We thrive on honest, open, and direct communication between our clients and their agents, in order to ensure that the artists’ wishes are executed to the best of our ability.

Ground Control Touring wants to work together with the best and brightest musicians around to help develop them into career artists. We maintain a tightly curated roster of bands, allowing our agents to have a dedicated relationship with every one of their respective clients. Our industry is rapidly changing, and the smartest artists are the ones taking time to make decisions that will serve them for years to come. Many of our clients have been with their agents since the early days of their careers, and it is our belief that our focused roster and hands-on approach with our clients and their affairs is the key to the longevity of those relationships. We strive to ensure that our artists’ careers can be creative, financially rewarding, and most importantly, fun.

FAQs

How do I book an artist at my venue or event?

Send an email to the responsible agent (listed on each artist’s page) with as much information as possible about the venue or event.  You may also submit an inquiry using the form at the top of the page.  The following questions are a good start:

What band(s) are you interested in?
Where do you book shows?
What are the names and website of the venue?
What is the capacity on venue?
What are the expenses on venue?
What sort of PA and stage do you have?
What is the age limit on venue?
Is it a bar, art space, etc?
What type of advertising do you employ to promote your shows?
What acts have you booked there in past? Elsewhere?
What is a phone number and email where you can be reached?

How do I book an artist at my college?

Send an email to .(JavaScript must be enabled to view this email address) for artists booked out of our Brooklyn office or .(JavaScript must be enabled to view this email address) for artists booked out of our Carrboro office.  Include as much information as you can about the kinds of shows you book on you campus.  You may also submit an inquiry using the form at the top of the page.  The following questions are a good start:

Where is your school located?
What venue/s do you use?
What is the stage/PA like there?
What date/s do you have available?
Are your shows free or ticketed?
Are they open to the public or students only?
What is your approximate budget?
What other artists has your school/organization booked recently?

Do you want to book my band?

We strive for long-lasting, meaningful relationships with our clients. While we love to hear new stuff and appreciate your interest in working with us, we are not only extremely selective in who we choose to represent, but also very limited in how much time we have to explore new music. We wish we could help every band whose music we love, but unfortunately it’s just not that simple. There are a myriad of factors that we take into account before signing a new artist. Primarily, if you have not played outside of your town extensively or booked your own tour, it is highly unlikely that we would consider you. While that may sound strange, we recommend that all acts book their own tours initially if only to experience what it’s like. If you’re going to have someone handle your touring it’s a good idea to know what they will be doing for you. Secondly, we make our living on a percentage of your touring income. If you haven’t played around much, well, we really don’t want to take your gas and food. There are of course exceptions to the rules. If you are signed to a well known label, have obtained some national press, have a publicist in place, have gotten airplay, etc. we may be interested even if you have little touring history.

All that said, we DO NOT accept unsolicited demos.

Can my band open for one of your artists?

In general, our bands choose their opening acts themselves and have at least a handful of ideas before we even begin booking their tour. We understand how hard it is for a band starting out, believe us, but nothing good comes easy! The band that forms and goes out on huge tours right away is an anomaly, so you won’t be the first or last. Most successful bands will tell you that they worked themselves like crazy to get people to listen and come to shows. The best bit of advice we can give you is to think small. Start in the closest metropolitan area that bands you like come to. Play small shows. Play shows with other local bands. Hell, play anywhere that people will see you! Build an audience and don’t be discouraged if it takes time. Prove to the people that book the venues around town that you can get people in their door and the next time they have local support slots for a national band your phone might ring (having them like you helps!). That’s the way you’ll get on shows with bands like ours, and possibly have a chance to give them a CD or chat.

Are you hiring?

Neither office is hiring at this time.

We do however offer unpaid internships for college credit (or not).  There’s lots to learn and shows to see.  If you’re interested in applying for an internship, please send an email to .(JavaScript must be enabled to view this email address) for our Brooklyn office or .(JavaScript must be enabled to view this email address) for our Carrboro office.  Include your resume and availability.

What We're Listening To

John Chavez

Actress - R.I.P.
Gabor Szabo - Jazz Raga
The Microphones - It Was Hot, We Stayed In The Water
The Congos / Sun Araw / M. Geddes Gengras - Icon Give Thank
v/a - Our Lives Are Shaped By What We Love: Motown's Mowest Story 1971-73

Andrew Colvin

First Aid Kit - The Lion's Roar
Craig Finn - Clear Heart Full Eyes
Justin Townes Earle - Nothing’s Gonna Change the Way You Feel About Me Now
Jay-Z & Kanye West - Watch the Throne
Lucero - Women & Work

Eric Dimenstein

Hospitality - Merge debut
Peaking Lights - 936
Girls - Father, Son, Holy Ghost
Wild Flag - s/t
The War on Drugs- Slave Ambient

Stephanie Green

Robert Ellis - Photographs
Deer Tick - Divine Providence
Reckless Kelly - Good Luck & True Love
Kurt Vile - Smoke Ring for My Halo
Dr. Dog - Toothbrush

Sarah Mroue

Deer Tick - War Elephant
Great Lake Swimmers - New Wild Everywhere
Jonny Corndawg - Dad Country
The Shins - Port of Morrow
Zeus - Busting Visions

Nicole Roeder

Real Esate - Days
Frankie Rose - Interstellar
Woods/ Amps for Christ - Woods/ Amps for Christ split LP
Sharon Van Etten - Tramp
Diamond Rugs - s/t

Jim Romeo

Pete and The Pirates - One Thousand Pictures
Fleet Foxes- Helplessness Blues
Luke Temple- Don't Act Like You Don't Care
Sons and Daughters-Mirror Mirror- Advance
Robert Wyatt- Shleep

Kate Townsend

Drive - OST
The Men - Return
Here We Go Magic - A Different Ship
Father John Misty - Fear Fun
Spotify and Grooveshark - Between Us We Have All Songs

Tom Weir

Jay Reatard - Matador Singles '08
Cult of Youth - s/t
Real Estate - Days
Terry Malts - Killing Time
Trash Talk - Awake EP

Jacob Wolf

Alak - GRØUPS
Stephen Steinbrink - Desert Wasn't Welcome
Wye Oak - Civilian
Julian Lynch - Terra
Woods - At Rear House